So Forbidden Planet is the first major film to have an all-electronic score. It was made by Bebe and Louis Barron who were not referred to as musicians so as not to offend the musicians' union and instead their score was described as "Electronic Tonalities". The sounds were created via circuits made by Louis. This was before commercial synthesizers existed. Early electronic music was mostly made with things like scientific test equipment, tone generators, home made circuits, or manipulated tape. #Monsterdon
This entry was edited (6 months ago)
forestine
in reply to forestine • • •There's a short documentary on their work available on Youtube
Forbidden Pioneers: The Film Music of Bebe and Louis Barron
youtube.com/watch?v=eM2lijr3OT…
#Monsterdon
Forbidden Pioneers: The Film Music of Bebe and Louis Barron
YouTubeforestine
in reply to forestine • • •Legacy
In synthesizers, a "patch" is kind of like a recipe for a sound or set of sounds. Synthesist Todd Barton coined a synth patch that many modular synthesists make at least once, named after the Krell in the film Forbidden Planet and trying to achieve the same vibe as those "electronic tonalities" by Louis and Bebe. There are many versions of the Krell Patch around. The patch consists of sources of random voltage and feedback loops
Todd Barton - Krell Music - The Patch
vimeo.com/48382205
#Monsterdon
Krell Muzak the patch
Vimeo