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Looked into if Firefox had support for GNU/Hurd. Someone submitted a patch and spent 10 years rebasing it and being ignored and then told to rebase it again because it was outdated, before it was closed as wontfix since there's no rust compiler.
bugzilla.mozilla.org/show_bug.โฆ
1029809 - Support for GNU/Hurd in Firefox 30+
RESOLVED (nobody) in Core - General. Last updated 2024-05-28.bugzilla.mozilla.org
it gets better--it turns out there actually is rust support.
Which of the following statements induce the most nerd rage for you?
#poll
- Avatar the last Airbender? That was a great movie! (12%, 11 votes)
- Megablocks are the same thing as Lego anyway. (33%, 29 votes)
- I love Star Trek! Dark Vader's so scary. (17%, 15 votes)
- The Star Wars Christmas Special is best Star Wars. (9%, 8 votes)
- Linux and BSD are basically the same. (27%, 24 votes)
@liroso it was an image search for "meme r2d2 dalek star trek" on Duck Duck Bing and the image come from a pinterest post.
An Etsy listing etsy.com/listing/1358533088/omโฆ
in the same results
I feel it's a sign of my emotional growth that my reaction to all of these is simply: ๐ชท๐ง๐ชท
beige.party/@mayintoronto/1157โฆ
May is Seasonally Seasoned (@mayintoronto@beige.party)
Which of the following statements induce the most nerd rage for you? #poll [ ] Avatar the last Airbender? That was a great movie! [ ] Megablocks are the same thing as Lego anyway. [ ] I love Star Trek! Dark Vader's so scary.beige.party
Christmas Dash by tunmi13
An audio game where you take on the role of an elf delivering presents on Christmas Eveitch.io
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the folks at IBug has done mac and iOS voiceover training for free since the pandemic. they have many free content over at ibugtoday.org/
The late John Panarese Mac For The Blind have done paid Mac custom and purchasable training modules for mac with voiceover,
TalkBack does not offer an option to use computer vision & LLMs (โAIโ for the scope of this thread) to describe images lacking alt text.
If you do it in Chrome, it overwrites all the good alt text with, well, crap.
Try it on this page:
srt.csb-cde.ca.gov/jaws/jaws-lโฆ
See how the authored alt text has been replaced by the file name?
Reloading the page does not reset it to the original alt text (nor loading in incognito nor appending query strings).
If you ever get tired of Ableton and want a fully-featured DAW experience that can be Taylor'ed to your needs, Reaper's waiting for you. It never gave up hope, it's just waiting for you to return to it.
As we had to rollback the Rhythm update (it introduced proprietary components), our new addition got out earlier with a second small #AndroidAppRain today, after the first brought you 17 updated apps:
* Pure Link: an URL sanitizer that also expands short links ๐ก๏ธ
Current RB Status: 766 apps (60.2%)
Enjoy your #free #Android #apps with the #IzzyOnDroid repository 
Zach Bennoui reshared this.
Adrian Segar (@ASegar@mastodon.social)
Attached: 1 image Have you ever been frustrated with the lack of power outlets in hotel rooms? Especially when you're perusing your laptop in bed? Me too! https://www.conferencesthatwork.com/index.Adrian Segar (Mastodon)
1. Premier Inn recently, by the side of the bed was a USB-A port and a USB_C port, but no power.
Since Mac is a strange but wonderful beast, I plugged it's charger into the USB-C port and it pulled only 7 Watts.
So long as I didn't do anything strenuous (and why would I, it was night-time anyway) it didn't discharge, but neither did it charge further.
The power of ARM...
2. On a cruise with my wife and kids recently for a week, the kid's bedroom had 0 sockets in it, no that's not a typo, 0 sockets at all.
We had to request an extension from reception and disconnect the TV in the living room and run the cable under their door.
for us, same situation, but we had 1 socket on my wife's side of the bed but not mine.
In both cases I was sensible and had packed some four-way extension cables so we could at least plug all our gear in, but needed a longer cable from wall to plug...
No idea what fools designed a family cabin without proper sockets but if I ever meet them, I will give them seventeen pieces of my mind...
Andre Louis reshared this.
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blazietech.com/christmas-speciโฆ
Juste par curiositรฉ, oรน vont les mรฉchants pirates francophones pour tรฉlรฉcharger illรฉgalement des livres audio en Franรงais, en lโoccurence si quelquโun de peu scrupuleux voulait รฉcouter gratuitement le Silmarillon de Tolkien lu par Thierry Janssen ?
Pas pour moi, je mโapprรชte ร lโacheter pour 21,99โฌ sans y penser ร deux fois, haha. Et ensuite 21,99โฌ pour La Chute de Gondolin, 21,99โฌ pour Contes et Lรฉgendes inachevรฉs, 18,99โฌ pour Les enfants de Hรบrin, et 18,99โฌ pour Beren et Lutien, car jโadore dรฉpenser mon argent ๐
RuTracker.org
ะััะฟะฝะตะนัะธะน ััััะบะพัะทััะฝัะน ะฑะธััะพััะตะฝั ััะตะบะตัrutracker.org
Living Conscious Systems
In this brief note Iโd like to share two things. Firstly, an event of considerable personal significance: Iโve created my own record label, โLiving Conscious Systemsโ, for experimental organ ambient music, something Iโd been thinking about these past few months.
Actually, this is quite a logical development, because Iโve been composing organ music all this time: this week, for instance, saw the release of my album โWolfenโ, a kind of musical portrait of the Wolfen-Nord district where I currently live.
In the foreseeable future I plan to release new works under this label solo, though naturally I hope that in time Iโll find people who share my passion for experimental organ music and will join the label. On that front, Iโm fairly optimistic.
Secondly, Iโd like to share how the album โWolfenโ came into being, namely to tell the small stories behind each of the compositions. All of them were created in the first half of December 2025 here, right in the epicentre of Wolfen-Nord.
A bit of context to understand what Wolfen-Nord is and what makes it remarkable: firstly, itโs the place where I currently live, and secondly, a satellite housing estate built for workers in the local chemical industry. At its peak, tens of thousands lived here across multiple residential complexes of panel construction; today the population stands at around 6,000, with most buildings demolished as more and more flats remained empty. The district is inextricably linked to the factory founded here by Agfa in the early twentieth century: it was there they created the worldโs first modern colour film, Agfacolor Neu. After the war, when the Americans confiscated the patents and handed them to Kodak, the factory continued working under the brand ORWO (ORiginal WOlfen), one of the most known GDRโs symbols. By the time reunification came, thousands worked at the factory; a few years later, production was closed permanently and everyone went their separate ways.
The first composition I wrote was โWir aus der Platteโ: literally, this translates as โwe from the panel blockโ. Thereโs a documentary of the same name about this district, and when I finished working on the composition, I realised that yes, to call it anything else would have been criminal. Considering Wolfenโs rich industrial past, right at the beginning it seems to give voice through low-frequency breaths to all the factories situated here, including the very one where they manufactured the โOriginal Wolfenโ film stock.
This town was literally the source of material that captured the heritage of GDR times through thousands upon thousands of cameras in the hands of the republicโs citizens. The people who worked at that factory lived predominantly in these very panel blocks of Wolfen-Nord, in one of which I now live. Itโs remarkable how the threads of fate interweave: once upon a time, in my current flat, there lived a factory worker who created this film stock, and now I live here, giving voice to this history. At the very end of this composition, thereโs a moment when a recognisable rhythmic pattern emerges and the listener expects continuation, but instead everything slows down like a large, unwieldy mechanism, including that same low-frequency breathing: here Iโve described the fate of my district, which has emptied significantly over the past few decades, with most of the panel buildings demolished.
The second composition became โStadtwerkeโ: in German, this translates as municipal utilities. And thereโs also an enormous pipe from the local heating plant jutting out of the ground across the entire district, with precisely this inscription written on it. I often wander through the town late at night when I canโt sleep, and in these moments the town appears in quite a different light. Itโs empty, mysterious, with this gigantic pipe thatโs illuminated by red warning lights at this time of day. You can see it even from the centre of the small town of Jeรnitz, which lies nearby.
During one such walk, when Iโd once again wandered deep into Jeรnitz, I saw this pipe and thought: I absolutely must try to give it sound. Upon returning home I immediately set to experimenting: for the tuning I experimented with Pythagorean temperament to achieve the sound I was looking for in a drone context, and just a single stop: Gross Untersatz 32โ. A few days later, when the composition was ready, I set off on another walk to listen whether the pipe actually sounded like that. Yes, to my delight, as I wandered through the town listening to this drone produced by the Gross Untersatz 32โ, I recognised in it that very Stadtwerke pipe. Well, Iโm very pleased: now it has a voice.
Working on the third composition, โWohnkomplex IIโ, I wanted to make the organ sound as grounded as possible. I spent a long time searching for the right sound, and eventually decided that one organ alone wouldnโt suffice: I took my old Sony dictaphone and went out to record what was happening outside my flat at that moment. You can hear someone sawing something with an angle grinder, some bird chirping, a dog barking, people chatting at the bus stop. In short, the town is alive. And immediately after the angle grinder, Fagott 16โ sounds on the pedals, sounding terrifyingly recognisable: like the neighbour on the floor below whoโs decided to undertake renovations, as if to prove this place still has life in it. A bit later Krumhorn 8โ joins in, and then the background sound of the town disappears, leaving the listener alone with themselves and the sound of these two piercing stops.
Actually, the listener should listen to this composition directly in Wolfen-Nord during a walk, so that in the second part of the composition, when my background noise fades, the noise they encounter around themselves takes its place. Another detail worth mentioning: to name this composition, I had to consult the archive where one could see the original construction plan of Wolfen-Nord and its division into Wohnkomplexes โ thatโs how I learned that I currently live on the territory of Wohnkomplex II, and since itโs precisely its sounds that are used in this composition, thatโs what I called it.
The composition โWillkommen in Wolfen-Nord!โ I recorded last of all. The title really begged to be in this album: this inscription is placed on one of the panel blocks at the entrance to the district, and I see it almost every day. Right at the beginning, you can hear the ambience of one of the local shops thatโs in close proximity to this inscription, where adverts play and a barely audible whistling sound emanates from the freezer units. Itโs smoothly replaced by the now-familiar Gross Untersatz 32โ. This is the only stop that sounds in this composition, as in the case of โStadtwerkeโ.
At the very end weโre transported to another part of Wolfen, to the railway station in the old part of town. And it seems that in terms of sound and content, it would be logical to conclude the album with this composition, but no: I deliberately use it as the opening theme, and immediately after it comes โWir aus der Platteโ. I did this deliberately because โWillkommen in Wolfen-Nord!โ immerses the listener in a sensation of derealisation, of the unreality of whatโs happening, and immediately afterwards they wake up in a tower block to the next composition. Time to head off to the factory.
renecoignard.com/living-consciโฆ
Living Conscious Systems
Living Conscious Systems is an experimental organ ambient label founded by Renรฉ Coignard in 2025 in Wolfen-Nord, Germany.coignard.org

Zur Unterstรผtzung insbesondere fรผr diejenigen, die es in dieser Zeit umso mehr brauchen kรถnnen.
Als grosser Mittelfinger fรผr diejenigen, insbesondere in der queeren Bubble, die damit ein Problem haben.
Und allgemein als flauschig toller Hai.
(Und ja, der landet noch im Pack, aber das muss noch ein wenig warten)
Sensitive content
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ะะปะปะฐ ะัะณะฐััะฒะฐ ะฒัะฟัััะธะปะฐ ะฝะพะฒัั ะฟะตัะฝั ะฟะพะด ะฝะฐะทะฒะฐะฝะธะตะผ "ะะฐะฒะฐะน ะฟัะพััะพ ะถะธัั" โ ะฟัะตะดะฝะพะฒะพะณะพะดะฝะธะน ะฟะพะดะฐัะพะบ ะดะปั ะฟะพะบะปะพะฝะฝะธะบะพะฒ.
ะ ะฟะตัะฝะต ะทะฒััะฐั ัััะพะบะธ:
ยซะะฐ ะผะตััะพ ะฟะพะด ัะพะปะฝัะตะผ ะพะฟััั ะณะพัะพะฒั ะดััะณ ั ะดััะณะพะผ ัััะตะปััััั,
ะะฐ ะณะดะต ะถ ะพะฝะพ, ััะฐัััะต, ะณะดะต ะพะฝะพ, ััะฐัััะต, ะณะดะต ะพะฝะพ, ััะฐัััะต? ะะต ะทะฝะฐั...
ะะฝะพะฒั ะฟะฐะดะตะฝะธั ะธ ะฒะทะปะตัั, ะฑะพะปั ะธ ััะฟะตั
,
ะ ะฑะธะปะตั ะฒ ะพะดะธะฝ ะบะพะฝะตั ะปะธัั ะตััั ั ะฒัะตั
,
ะะพ ััะดัะฑะต ะปะตัะธะผ ะฝะตัะพะฒะฝะพ โ ัะพ ะฒะฝะธะท, ัะพ ะฒะฒะตัั
,
ะะตะบัะดะฐ ัะฟะตัะธัั, ะฝะตะบัะดะฐ ัะฟะตัะธัั โ
ะะน, ะดะฐะฒะฐะน ะฟัะพััะพ ะถะธัั!ยป
The web server for our repo and the app listings will have a short downtime in about half an hour, due to maintenance. If all goes to plan, it will just be for a few minutes. As usual, our Monitoring page will keep you informed: monitor.izzysoft.de/status/izzโฆ
IzzyOnDroid
Welcome to the official IzzyOnDroid Status Page. This page contains an overview of the status of various IzzyOnDroid services and the official mirrors. Ifmonitor.izzysoft.de

๐๐ฅ๐ฅ๐ ๐ง๐ ๐ ๐๐๐๐๐ ๐๐ ๐พ๐๐๐
in reply to Archos • • •Klobouฤek, Zdendo! ๐โโ๏ธ
Archos
in reply to ๐๐ฅ๐ฅ๐ ๐ง๐ ๐ ๐๐๐๐๐ ๐๐ ๐พ๐๐๐ • • •Kroky jsou skoro jen z prรกce, ono se to nezdรก, kolik tam nachodรญm. Na zahradฤ toho zase moc nedฤlรกm โ ona je to taky dลina, takลพe jsi aktivnรญ jinak ๐๐ป.
3 500 km na kole nenรญ zase tak moc, poลรกdnรญ borci dรกvajรญ pลes 10 000 kilometrลฏ. Je co zlepลกovat.
Milu P. Pragerova
in reply to Archos • • •Jinak klobouฤek oba๐
@OttovonWenkoff
plactagonic
in reply to Archos • • •Archos
in reply to plactagonic • • •plactagonic
in reply to Archos • • •jo jรก to odhaduju na nฤjakรฝch tฤch 10 000.
Prลฏmฤrnฤ jsem mฤsรญฤnฤ najel cca 1500 a jezdil jsem 7-8 mฤsรญcลฏ tak to tak nฤjak vychรกzรญ. Ale zas na druhou stranu to moc poctivฤ nemฤลรญm takลพe pลesnรฉ ฤรญslo nevรญm
Archos
in reply to plactagonic • • •Tรกta Geek
in reply to Archos • • •Archos
in reply to Tรกta Geek • • •Tรกta Geek
in reply to Archos • • •Archos
in reply to Tรกta Geek • • •Miroslav Vrhel ๐ท
in reply to Archos • • •Milan Hubรกฤek
in reply to Miroslav Vrhel ๐ท • • •@mireeek Hmm, jakลพe to pak bylo...udrลพet krok, neztratit stopu ๐
@archos
Miroslav Vrhel ๐ท
in reply to Milan Hubรกฤek • • •Nebo, jen vรฝลก, jen vรฝลก, tam jรก mรญลรญm ๐
@archos
Archos
in reply to Miroslav Vrhel ๐ท • • •